34+ Acoustic Guitar Reverb Mixing
Check out this video on getting a BIG sound for your guitars.
Acoustic guitar reverb mixing. In some situations you may want a touch of width applied to help your guitar sound more interesting in a mix. This will cause the reverb signal to duck when the dry signal plays and swell up when the dry signal doesnt. The first option is sidechain compression. This will capture the bass of the guitar.
Obviously the more guitars you have layered the harder it is to cut them through a mix. Next find any parts of the acoustic guitar that are just sounding gross. When panning electric and acoustic guitars in the same mix I tend to place them opposite each other. And sometimes it can be tricky to mix.
Reverb is meant to enhance your mixes and songs not destroy them. Doubler plugins can be used to achieve this. Use reverb pre-delay for perceived distance Guitar reverb is primarily used to create a sense of space. Either you know how to use reverb and create depth in your mix while maintaining separation or you dont know the tricks and end up with an absolute mess.
It requires only one. And Finally Depending upon how closely miked the original recording was and the acoustics of the recording room the final touch of magic might be some additional reverb. A common technique is to perform sidechain compression to the reverb using the original dry sound as the input. Thats the best place for your filter.
Cleaner guitars can be sent to longer reverbs to help push them back in a mix. Mixing with reverb has two outcomes. The first type of reverb is that which is core to the sound of the. Point one mic preferably a small-diaphragm condenser mic at the twelfth fret.
As always the tail of a reverb should be timed to the tempo of the track. Then back off a bit to give the instrument a little space. But this is just washing away more of the original signal and in many cases muddying up the mix. This is helpful as it will tie the reverb ducking to the shape of another sound.
So yes using reverb twice is entirely realistic. When it comes to acoustic guitar which often stands alone with a vocal its vital that you have some different ways not just to make space for the guitar but to fill space as well. Start with the fader at zero and move it up until you can hear it then back off a bit. Point the second mic preferably a large-diaphragm condenser mic at the body between the bridge and butt of the guitar.
This helps differentiate their tonality and create space for each instrument. Very interesting point of view. Double Tracking or Overdubbing. If you have read the tutorial on mixing electric guitars using double tracking.
This will capture the brightness of the strings. To expand the perceived size of a space a newcomer might turn up the drywet of a reverb. Its not uncommon to see a little room reverb added to guitars to help create the vibe that they were played in a bar or club. The 2nd is used to help fit a guitar in a mix.
Theres hardly any in between. Recording acoustic guitar tracks using a single microphone is the simplest way to get great sounding tracks down though with one microphone your tracks are in mono. This is a simple tutorial on how to mix clean guitar and apply some reverb on the guitars. Roomworks may not be the most sophisticated sounding reverb plug-in available but some of the presets work well with acoustic guitar.
Acoustic guitars sound particularly good in these spaces. A clean guitar does not have any effects. A little trick is to slowly move the filter up until the acoustic guitar starts to sound weaker in the mix. The reverb shouldnt be able to be actively heard in the mix its just there to be felt.
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